The artists Gilbert and George have announced their “manifesto”, which made up in brevity for what it lacked in originality and artistic flair.I trust they won’t sue me for copyright infringement if I reproduce it in full here:
“Ban religion. Ban religion. Ban religion”
In the brief slot on Radio 4, the pair explained that religion was an enemy of human freedom, and the presenter made the reasonable point that taking away people’s right to the exercise of their faith was hardly conducive to human freedom either.
But what I would have liked to ask is this: why, in this supposedly secular age, is art still talking about religion? Gilbert and George could have spoken in favour of any number of things, but instead they defined themselves by what they were against, and in the narrowest and most direct way possible.
Art and religion have always been closely linked. For centuries, stories and imagery drawn from Christianity gave Western artists a common cultural language with which to articulate deep human themes. Like all languages it limited what could be expressed as well as facilitating it. But without this framework, there is a Babel of individual voices, each work talking to itself in a language unique to its creator. Perhaps that is one reason why art still finds itself dependent on religion – even if all it has left to offer is a negation.
But the relationship between art and religion goes back far beyond the time of Christ, and is more fundamental than particular images or themes. Painted on the wall of caves, what appear to be symbolic and ritual images are present from the very dawn of visual art. Perhaps it would not be going too far to suggest that man’s first artistic impulse was also his first religious impulse.
There have certainly been attempts to turn art into religion. In the late 19th century, Wagner promoted the idea of “gesamtkunstwerk” – the complete art, art as liturgy, in which a variety of artistic disciplines contribute to give the work fuller meaning and to involve the audience more completely through all their senses. Oscar Wilde and others went one further with the idea of the “aesthetic” life, of life as art.
But does it perhaps make more sense to see religion as a form of art? The Byzantium exhibition, on show at the Royal Academy, shows the visual arts at the very heart of religious life. In “the triumph of orthodoxy”, the veneration of an icon becomes synonymous with true faith in Christ, the “icon of the invisible God”. In orthodox christian theology, we are all made “in the image of God”, and our goal in life is to express as fully and truthfully as possible the message of our creator. In this we bring together all aspects of our life in a complete art, and imitate the example of Christ, the most successful artwork of all time.
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Gilbert and George are not the only ones who have recently been defining themselves against religion. The sides of London buses are to be emblazoned with adverts reading “There’s probably no God. Now stop worrying and enjoy your life”.
I have no real objection to the posters, although I can’t help feeling the British Secular Society would do its cause more good by donating the money to the Trinitarian Bible Society; Dawkins’ depiction of Christianity as a dangerous hellfire-spouting propaganda machine is much sexier than the reality of soggy two-tone posters.
What makes me sad though is that somebody as clever and successful as Dawkins should define himself ultimately by what he is not. Atheism is not, as some of its opponents like to claim, a faith or a belief system. It does not offer answers to the ‘questions of life’ except for the one question “is there a God?” It is compatible with any number of ethical systems, values, lifestyle choices and personalities. By its very nature, it requires every one of its adherents to work those things out for themselves. Atheism does not and cannot have prophets, priests or saints.
If religion is, as it appears to be, the most important and definitive thing in Prof D’s life, he should go and get himself one. If it isn’t, he should stop worrying and enjoy his life.